Jeremy Cox Mastering
Jeremy Cox is an American mastering engineer. His career started at Universal Music Group doing post production on southern hip-hop records in the early 2000's. His projects have sold tens of millions of copies, topped charts around the world and have been nominated for Grammy Awards, Source Awards, and BET awards. He runs the acclaimed British dance label Her Records. Jeremy has worked on original content for fashion houses such as Celine, Prada, Kenzo, Telfar, Hood By Air, Under Armour, and Adidas. He's produced and mastered original audio content for art museums such as The Whitney Museum of American Art, The New Museum, The Museum of Modern Art, and The Tate Britain.
Jeremy's approach to post production has led to a collection of the most exclusive and transparent outboard analogue equipment available. His studio's monitoring chain and analogue mastering chain are unmatched in quality.
Mastering is a post production process intended to optimize music or audio content for distribution and playback. This generally involves dynamic range limiting and equalization to optimize playback translation for all listening environments. We utilize the highest quality outboard mastering equipment to craft the most transparent masters available anywhere. This is especially critical for modern dance, R&B or hip-hop music, where loudness and punch are critical components of an effective master.
Stem mastering is similar to regular mastering, except the content provided to the mastering engineer is separated into multiple stems. This is especially useful for vocal tracks, or instrumental tracks with especially complex instrumentation. A typical stem preparation for stem mastering will include separate bass instruments, drums, vocals and the remaining instruments. Stem masters tend to be more transparent than regular 2 buss masters, due to the flexibility of the content in the mastering process.
Audio mixing is the process of elegantly combining all the individual elements of a song or project into one stereo or surround file. This is the post production step directly preceding mastering. Although Jeremy's career started as a mixing engineer, the amount of time it takes to properly mix a track makes mixing projects difficult for us to schedule. If you have an especially compelling project, contact us about scheduling availability.
Mastering music for vinyl is a substantially different process than mastering musical for digital release and distribution. Content cut to vinyl demands a higher dynamic range and an equalization processing specific to this format. If you're distributing your music digitally and on vinyl, we offer the second set of masters at a reduced cost.
Lacquer Cutting for Vinyl manufacturing
If you're having your project manufactured to vinyl, we can provide a master lacquer for your manufacturing plant to work from. Although we don't offer this service in house, we work on a daily basis with the best cutting engineers all over the world to ensure your vision comes to life on vinyl. Not only does this guarantee the best possible outcomes, we can also offer priority service to shorten your manufacturing turn around times. Contact us for pricing in your country.
Over the last few years releasing content on cassettes has become very popular again. Like mastering for vinyl, mastering for cassette requires a special master with a larger dynamic range and different equalization curves. If you're distributing your music digitally and on cassette, we offer the second set of masters at a reduced cost.
If you need a second set of ears on your track, we're happy to evaluate your project for a small fee. Whether you're looking for guidance on production, mixing or mastering, contact us for scheduling availability.
Audio mastering From $70
Mastering projects will be verified and delivered as both WAV and MP3 formats at your specified bitrate. Discounts apply for multiple tracks. Turnaround times are generally 2-3 weeks. Contact us for a personalized quote.
Stem mastering From $95
For stem masters with up to 6 stems. Mastering projects will be verified and delivered as both WAV and MP3 formats at your specified bitrate.Discounts apply for multiple tracks. Turnaround times are generally 2-3 weeks. Contact us for a personalized quote.
Audio Mixing From $295
Mastering is included with mixing projects. Availability is limited and subject to project approval. Contact us if you have an especially unique, or compelling project.
Alternate versions From $20
This includes radio edits, Spotify or You-Tube volume edits or alternate format prints. This also includes vinyl or cassette mastering if you've already purchased digital mastering.
Rush SErvice $100
Our turnaround times are generally 2-3 weeks. If you need your masters back sooner to meet a deadline, we offer rush service. Subject to schedule availability.
If you need s second set of ears on your project, we're happy to evaluate mixes, masters or production in our world class listening environment.
- Aaron David Ross (PAN)
- Amnesia Scanner (PAN)
- BC Kingdom (Saint Records)
- Bjork (One Little Indian Records)
- Brodinski (Southern Hospitality)
- Bun B (Universal)
- CYPHR (Her Records)
- Daniel Keller (Aids 3D)
- Drippin' (Sony, Lit City Trax)
- Eaves (Purple Tape Pedigree)
- Fatima Al Qadiri (Hyperdub, Fade to Mind)
- Fraxinus (Her Records)
- Future Brown (Warp)
- Hoodboi (Fool's Gold Records)
- Imaabs (Naafi)
- Josh Kline (New Museum, Smithsonian, Modern Art Oxford)
- Kablam (Janus)
- Kid Antoine (Her Records)
- Krueger (Silverback)
- Lechuga Zafiro (Salviatek)
- Lotic (Tri Angle)
- Lunice (Southern Hospitality)
- M.E.S.H. (PAN)
- Michael Stein (S.U.R.V.I.V.E., Stranger Things Soundtrack)
- MM (Her Records)
- Moleskin (Goon Club Allstars)
- Photay (Astro Nautico)
- Pimp C (Universal)
- Rabit (Halcyon Veil)
- Sinjin Hawke (Southern Hospitality)
- Sky H1 (PAN)
- Sudanim (Her Records)
- Taskforce (Silverback)
- Visionist (PAN)
ATC SMC 150
Tyler Acoustics Decade Series
Bowers and Wilkins
Knif Vari Mu II
Foote P4S ME
Solid State Logic Xlogic G-Series Buss Compressor
Smart Research C1
Antelope Audio Eclipse 384
HendyAmps Michelangelo ME
Jeremy Cox mastering